This page has links to the 63 teaching videos from Jonathan’s ten-module University of Warwick / Shakespeare Birthplace Trust / FutureLearn open online course on Shakespeare and his World (which is now no longer available for enrollment).

Each module has 6-7 short films. Each one begins from a book, manuscript or object in the collections of the Shakespeare Birthplace Trust in Shakespeare’s childhood home in Henley Street, Stratford-upon-Avon, or just occasionally from elsewhere. None of the videos is more than about 10 minutes long. Module 1 offers a general introduction to his life, work and world; module 2 looks at rural Warwickshire, life in Stratford-upon-Avon and The Merry Wives of Windsor, his comedy of small-town English society; module 3 turns to the theatre and the process of putting on plays, focused via A Midsummer Night's Dream; module 4 reminds us that throughout the 1590s Shakespeare lived in a world at war - the focal play here is Henry V; module 5 looks at money, focusing on The Merchant of Venice; module 6 on witches and doctors in Macbeth; module 7 uses Othello to explore Venice, Islam and race; module 8 explores the formative influence on Shakespeare of ancient Rome, via Antony and Cleopatra; module 9 spins out into brave new worlds from The Tempest; and the closing module looks at the history of Shakespeare's posthumous reputation, especially in the 18th and 19th centuries.

1: AN INTRODUCTION TO SHAKESPEARE AND HIS WORLD

The Parish Register

The Gold Ring

Acting and Writing

Venus and Adonis

Patrons

Rival Playwrights

The Monarchs

2: STRATFORD-UPON-AVON, WARWICKSHIRE, SMALL TOWN LIFE & THE MERRY WIVES OF WINDSOR

Christopher Saxton’s map of Warwickshire

John Shakespeare, Bailiff of Stratford

Dugdale’s Antiquities and the Coat of Arms

The Horn Book

Lily’s Grammar

Ovid and The Merry Wives of Windsor

Merry Wives

3: THE THEATRE, THE MAKING OF PLAYS & A MIDSUMMER NIGHT’S DREAM

Shakespeare’s first experience of theatre

The London theatre

Public theatre and court theatre

Casting the play

Bottom on stage

Quarto and Folio

4: A WORLD AT WAR - HENRY V

After the Armada

Holinshed’s Chronicles of England, Scotland and Ireland

Preparing the troops for battle

The night before Agincourt

Falstaff, Pistol and the varieties of weaponry

The art of war

5: MONEY AND THE CITY - THE MERCHANT OF VENICE

The Quiney letter and the lending of money

Making money

Venice and London

The value of money

Shylock the Jew

Shylock on stage

6: WITCHES AND DOCTORS - MACBETH

The Weird Sisters

The Insane Root

The Discovery of Witchcraft

Health and Madness

Doctors and Macbeth

Evil, Hell, Macbeth and Dr Faustus

7: THE CLASH OF CIVILIZATIONS - OTHELLO

An introduction to Venice

Venetian women

Turning Turk

Turkish sophistication - the Iznik dish

Othello’s pre-history and Christian slaves

The sword of Spain

8: THE ROMAN EXAMPLE - ANTONY AND CLEOPATRA

North’s Plutarch - Life of Mark Antony

Cleopatra

The Nile

A wealth of images

Augustus Caesar

King James I as Augustus

9: O BRAVE NEW WORLD - THE TEMPEST

The Tempest and the New World

Voyages of discovery - the deed box

Shakespeare and Montaigne

Caliban and music

Prospero, John Dee and magic

The Tempest in the First Folio

10: THE CULT OF SHAKESPEARE

The Chesterfield portrait

Shakespeare in print in the 18th century

Garrick’s Jubilee and the origins of Stratford tourism

Romanticism and Sir Walter Scott in Stratford

Global Shakespeare in the stacks

Back at the Birthplace

EPILOGUE: THE AUTHORSHIP QUESTION

After running the online course a couple of times, we decided that we had to address the elephant in the room, so the final run included an extra film in Module 1, addressing the anxieties provoked by the conspiracy theorists:

Why we know that Shakespeare WAS Shakespeare